“Photography and Its Worlds.”

In Power and Perspective: Early Photography in China, ed. Karina H. Corrigan and Stephanie H. Tung (New Haven: Yale University Press, 2022), 257–69.

“Which East, Whose South: Reflections on Art of the Socialist Bloc.”

(English and Chinese versions)

On Our Time no. 2 Constellations of Intimacies (2021). https://timesmuseum.org/en/journal/floating-constellation/which-east-whose-south-reflections-on-art-of-the-socialist-bloc.

“We Love Peace: Photographic Effect and Chinese People’s Volunteer Force Soldiers in the Korean War.”

The Chinese Historical Review 25, no. 2 (2018): 196–207.

 “Powkee and the Era of Large Studios,”

in Portraiture and Early Studio Photography in China and Japan, ed. Roberta Wue and Luke Gartlan (New York: Ashgate, 2017), 59-76.

“The ‘Peasant Problem’ and Time in Contemporary Chinese Art.”

Representations 136 no. 1 (2016):54-76.

“Photography and Its Chinese Origins,”

in Photography and its Origins, ed. Tanya Sheehan and Andres Zervigon (New York: Routledge, 2015), 157-170.

“What’s in a Name? Photography and the Reinvention of Visual Truth in China, 1840-1911.”

The Art Bulletin, vol. 95 no.1 (2013): 120-138.